What Questions Do We Ask? (2024)
In “What Questions Do We Ask?” I highlight the importance of the shifting questions in the United States census. Questions reveal[…]
Read moreAuthor: Gail Rebhan
Living (2019-2022)
Living addresses the taboo subject of female aging. Time’s effect on women’s bodies is typically not represented realistically or not depicted[…]
Read moreGail Rebhan, About Time book & retrospective exhibition
Book PurchaseGail Rebhan, About Time with running commentaries by Sally Stein, Mack Books, 2023 Reviews and Articles Gail Rebhan’s Frame[…]
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The Bridge that Carried Us Over
Organized by the Bethesda African Cemetery Coalition American University Museum, Washington, D.C. June 11–August 7, 2022 The Bridge that Carried[…]
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Site-specific public art installation Pepco Harrison Window Gallery September 18, 2021 – January 13, 2022
5200 Block of Wisconsin Avenue NW – 1970s/2021 was created as a site-specific public art installation for the inaugural exhibition of the Pepco Harrison[…]
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Family Sequences (1980-1986 )
In Family Sequences, I use sequences of candid images to principally examine interpersonal family relationships and place family in a social context.[…]
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All Person Restroom (2020)
Detail – All Person Restroom, 65×37 inches archival ink jet print _______________________ Integral to my various bodies of work is[…]
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River Road African/African American Burial Grounds 2020
River Road Burial Grounds documents the present-day desecration of a historic Black cemetery. These elegiac and factual images show the physical destruction[…]
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Activism- Bethesda African Cemetery Coalition
I am an active member of the Bethesda African Cemetery Coalition (BACC). “The Bethesda African Cemetery Coalition (BACC), started by[…]
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Documentation and Graphics for the Bethesda African Cemetery Coalition
I am an active member of the Bethesda African Cemetery Coalition (BACC). Below are examples of my photography and graphic[…]
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COVID-19 Dear Customers
Click on thumbnail for larger image. The COVID-19 pandemic has affected everyone worldwide. My series Dear Customers examines changes to businesses and[…]
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Plans to Prosper You: Reflections of Black Resistance and Resilience in Montgomery County’s Potomac River Valley
American University Art Museum, Washington, D.C. June 15-August 11, 2019 Click on thumbnail for larger image. “The exhibition title takes[…]
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Immigration/Assimilation – Art on the ART Bus March 14, 2019 – Summer 2020
Immigration/Assimilation is site-specific public art created for display inside one Arlington Transit (ART) public bus. Click on thumbnail for larger[…]
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Sandy Spring Museum Artist-in-Residence (2016-2017)
PALIMPSEST: LAYERS OF TIME at the Sandy Spring Museum April 1 – July 29, 2017 Click on thumbnail for larger[…]
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Site Specific Installation- Washington Project for the Arts – Lobby Project (2016)
Click on thumbnail for larger image. Site-Specfic Installation at 1200 First Street NE, Washington, D.C. Photography is inherently about time.[…]
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JBG Commission (2012 and 2014)
I received commissions in 2012 and 2014 to create photo-collages that examine the cultural history of eleven locations developed or[…]
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Before/Now (animated videos) 2013
I originally I created still photo-collages. Subsequently I animated several pieces. I am interested in how information is conveyed differently[…]
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A Cultural History of My Neighborhood (2009-2011)
Click on thumbnail for larger image. All images © 2009-2011 Gail Rebhan Chosen as best gallery show by the Washington[…]
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Immigration / Assimilation (2014-present)
Click on thumbnail for larger image. All images © 1997-2023 Gail Rebhan In Immigration / Assimilation, I document the experience[…]
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