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Gail Rebhan

  • Bio
  • Portfolio
    • Retrospective Exhibition
      • Gail Rebhan, About Time book & retrospective exhibition
    • Activism
      • Activism- Bethesda African Cemetery Coalition
      • The Bridge that Carried Us Over
      • River Road African/African American Burial Grounds 2020
      • Documentation and Graphics for the Bethesda African Cemetery Coalition
    • Cultural History
      • What Questions Do We Ask? (2024)
      • Site-specific public art installation  Pepco Harrison Window Gallery September 18, 2021 – January 13, 2022 
      • COVID-19 Dear Customers
      • Plans to Prosper You: Reflections of Black Resistance and Resilience in Montgomery County’s Potomac River Valley
      • Immigration/Assimilation – Art on the ART Bus March 14, 2019 – Summer 2020
      • Sandy Spring Museum Artist-in-Residence (2016-2017)
      • Site Specific Installation- Washington Project for the Arts – Lobby Project (2016)
      • JBG Commission (2012 & 2014)
      • Before/Now (animated videos) 2013
      • A Cultural History of My Neighborhood (2009-2011)
    • Relationships/Family
      • Living (2019-2022)
      • Immigration / Assimilation (2014-2023)
      • Mortality / Maturity / Memory (2014-2021)
      • Room (2007)
      • Aging (2004-2007)
      • Dorothy (2002)
      • Mother-Son Talk (1996)
      • Baby – silver gelatin prints (1987-1988)
      • Baby – 20×24-inch Polaroid (1986)
      • Family Sequences (1980-1986 )
    • Time
      • All Person Restroom (2020)
      • The Sidewalk in Front of My House (2016)
      • Seasons (2005-2008)
      • Sequential Still Life (1981)
    • Videos
  • Publications
  • News
  • Reviews
  • CV/Resumé
  • Contact

Welcome Until We’re Not (2022) sublimation printing on vinyl with latex backing 24 x 36 inches

April 15, 2025 Gail Rebhan

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