PhotoBook Journal, December 13, 2023 “Gail Rebhan – About Time” by Steve Harp
Frieze, March 8, 2023, “Frieze Editor’s Picks: International Women’s Day Edition” by Angel Lambo
The Eye of Photography, February 27, 2023 “MACK Books: Gail Rebhan: About Time” by Sean Sheehan
James Cockroft’s photography blog, February 27, 2023 “Gail Rebhan – About Time” by James Cockroft
Flaunt Magazine, Issue 185, 2023, “Gail Rebhan | The Hyperconcious Cocooning of Time” by Nate Rynaski
Washington City Paper, February 16, 2023 “Aida Rodriguez, Mother Tongue, and More Best Bets for Feb. 16–22” by Louis Jacobson
Conscientious Photography Magazine, February 13, 2023, “About Time” by Jörg Colberg
British Journal of Photography, February 2, 2023 “Gail Rebhan’s Frame Narratives” by Adam Heardman
24700 News from California Institute of the Arts, February 8, 2023 “About Time: American University Presents Gail Rebhan Retrospective” by Taya Zoormandan
An exhibit on an Arlington bus documents the inspiring stories of local immigrants Washington Post Express, March 20, 2019 review of Immigration/Assimilation Art on the ART Bus (Arlington County Virginia Transit) by Stephanie Williams.
Arts Focus: Art on the ART Bus “Immigration/Assimilation” ARLnow.com March 27, 2019
The Best Photo Exhibits of 2018 Washington City Paper, December 5, 2018, by Louis Jacobson.
In ‘Narrative,’ 14 artists have personal tales to tell
Washington Post, November 23, 2018, review of Narrative at Studio Gallery, Washington, DC by Mark Jenkins.
Remembrance of Things Past
Culture Spot MC, April19, 2017, review of Palimpsest: Layers of Time at the Sandy Spring Museum, Sandy Spring, MD by Gina Gallucci-White.
Gail Rebhan, Photographer and Micro-Historian, Pictures the Intersection of NoMa DC’s Industrial Past and Problematic Present
East City Art, June 23, 2016, review of Washington Project for the Arts – Lobby Project, Washington, DC by Claudia Rousseau.
FotoWeek DC: Portraiture at Studio Gallery
Washington City Paper, November 4, 2013, review of Portrait at Studio Gallery, Washington, DC by Louis Jacobson.
Local Artist Turns the Spotlight on Tenley
NW Current, April 13, 2011, by Teresa Gionis, article on A Cultural History of My Neighborhood at American University Museum-Katzen Arts Center and public art installation at Brandywine and Wisconsin Avenue NW, Washington, D.C.
American University Museum exhibit focuses on the past’s impact on the present
Washington Jewish Week, April 7, 2011, by Aaron Leibel article on A Cultural History of My Neighborhood at American University Museum-Katzen Arts Center and public art installation at Brandywine and Wisconsin Avenue NW, Washington, D.C.
Interviewed on Metro Connection (no longer available) WAMU radio , April 15, 2011, interviewed about A Cultural History of My Neighborhood at American University Museum-Katzen Arts Center and public art installation at Brandywine and Wisconsin Avenue NW, Washington, D.C.
Digital Sequences: Chris Jordan and Gail Rebhan
Washington Post, January 25, 2008, review of Digital Sequences at Montpelier Art Center, Laurel, Maryland by Micahel O’Sullivan.
Portraits of a Changed Landscape
Washington Post, September 4, 2008, article by Rachel Beckman on Northern Virginia Community College student photography exhibition Documenting the New Northern Virginia. Rebhan was the project’s director.
A Caregivers Journal
Afterimage, March/April 2007 review of Aging at Pyramid Atlantic, Silver Spring, Maryland by Ann Stoddard.
Review Mid Atlantic Art News, December 18, 2006, of Aging at Pyramid Atlantic, Silver Spring, Maryland by Rosetta DeBerardinis.
Maternal Rites: Feminist Strategies
n. paradoxa: International Feminist Art Journal, Volume 14, 2004, discussed in the article, by Andrea Liss.
Test Family: Children in Contemporary Art
New Art Examiner, October, 1999 discussed in the article, by Michelle Grabner
Exhibit gets personal at School 33
Baltimore Sun, April 18, 1991. review by Mike Giuliano of Personal Politics at School 33 Art Center, Baltimore, Maryland